How To Cover Scrape Face With Makeup
E'er wanted to know about the real 1960s makeup, pilus, and fashion looks? Perhaps you would like to recreate the sixties style for a special occasion?
After over 36 hours of enquiry, we reveal (with citations) the historically accurate makeup and style looks from the sixties.
Whether you lot're interested in the mainstream mods, or the more than niche blossom power hippies, our mail service has got you covered!
Just keep reading for the truly historically accurate 1960s makeup, hair, and manner!
The 1960s Makeup Expect
In the late 1950s and early 60s, women were heavily inspired by Hollywood icons Marlyn Monroe and Elizabeth Taylor. Many women at the time wore the classic cat-eye with dark arched brows and a contour colour through the eyelid for definition. While lips were brighter in the 1950s, the stake lip trend started to announced in the early on 1960s.one
The shift in makeup trends was visible through the new updated looks of iconic 50s and 60s celebrities. Audrey Hepburn's makeup changed somewhat between the two decades, though she did go on her signature doe-eyed look the same. A contrast to the dramatic forehead and ruby-red lip in the fifties, Hepburn sported a thinner, lighter forehead and wore a pale peach-pink color on the lip through the early 1960s.2
A number of different makeup styles and subcultures began to sally in the 1960s.
1960s Makeup For Mods
When you think of 1960s makeup, the modern look is probably what comes to mind. The modern style was captured by a heavy application of makeup with all of the accent on rounded and expressive youthful optics. Mods originated in London and quickly spread to the Us with the growing worldwide popularity of Twiggy and Edie Sedgwick.3
Models Twiggy and Jean Shrimpton fabricated the youthful mod contoured-and-dramatic eyes with full-and-spiky lashes and light-pouty lips popular in the mid-1960s.one
Bloom Power Hippies
The hippy move began in the tardily 1950s/early 1960s, nonetheless, information technology gained in popularity in the mid-late 60s, (especially in 1966/67), and marketing of makeup products targeted towards hippies really took off in the 1970s.iv
While the mod trend was quite a striking look, the hippies kept it more than natural in terms of bodily makeup but often used face paint and colors on their confront and body.three
Related: Check out our breakdown of the iconic 1990s grunge expect!
Similar the beatniks before them, many hippie women in the 1960s wore no makeup at all. Face painting was peculiarly common for concerts (much like people practice at Glastonbury or Coachella today). Taking inspiration from the mod tendency, some hippies opted to habiliment a lot of mascara. Hippies too sometimes drew a third centre on their brow as a nod to Eastern religions.five
Similar the 1920s, makeup was often viewed as a statement in the 1960s, and one time again in that location were varying opinions on the use of cosmetics inside the feminist movement. Some feminists viewed makeup every bit a tool of oppression, while others believed that edgy mod and hippy looks were a symbol of moving on from the ready rigid roles that women in their mothers' generations were expected to follow.3
Eyes On The Prize
The eyes were the main focus of the makeup way in the sixties. This look consisted of heavy imitation lashes, thick eyeliner, and a contoured result eyeshadow look.six
"At that place you can use a lot (on the eyes), eyeshadow, eyeliner, and lashings of mascara plus imitation eyelashes – fifty-fifty simulated eyebrows I should think – provided you lot've managed to master the art of putting them on and keeping them in place" – Mary Quant4
Eyeliner & Eyeshadow
The liner eye makeup look of the 1960s was heavily influenced by famed 1920s flapper daughter Greta Garbo.ii
Mods drew dramatic eyeliner on both the upper and lower lid.7
Eyeshadow was cleverly used to create a contrasted profile look in the center socket. This typically consisted of a light shadow on the hat and nether the brow os, with a much darker shade just to a higher place the crease.7
The idea of blending shadow shades together really came near in the 1960s. Only blue and dark-green shadows were commonly available beforehand in the same meaty, and they were rarely mixed together on the heart in the past.ii
Mods often added a dark brown to the crease to contour the eye socket with a lighter white colour on the eyelid and nether the brow bone.6
However, from 1965 onwards, using colorful eyeshadows on the chapeau became much more than mutual.2
Elizabeth Taylor's dramatic eye look in the flick Cleopatra (1963) featured blue shadow all over the hat, which was more than of a nod to the makeup in style in the sixties – not the authentic Egyptian look.2
During filming, Taylor was paparazzied in her dramatic makeup and it helped inspire a trend for wearing a sixties-spin on the Egyptian eye makeup look. Around this time, Revlon created a mini eyeshadow trio inspired by the new Cleopatra-inspired trend.2
"Faux lashes at present come in about 40 types" (Faddy, 1966)4
Lashings Of Lashes
In the 1960s, women were heavily inspired by the fluttery fake eyelashes of 1930s celebrities.2
Dramatic eyelashes were a must when information technology came to the mod look. The lower lashes painted on the bottom of the eyelid became known equally 'Twiggies' after the young model made the unique expect famous.4
Did you know?: Wand mascaras were brought to marketplace for the first time in the 1960s. Beforehand, women had to dip a piddling moisture brush into a powder and paint it onto their eyelashes!iii
Women used heavy false lashes to create the neotenous youthful look that Twiggy rocked in the sixties.4
Jane Shrimpton spoke of the difficulties of getting the heavy eyelash look with false lashes at the time, complaining that it left a "nasty, viscous line of white gum showing on the eyelid, which was torture to get off."4
Mary Quant invented waterproof mascara as a applied product for women with busy lifestyles so they could run around in the pelting without their makeup getting smudged.8
Eyebrows
While well-defined brows were the marking of the 1950s, in the sixties women experimented with new brow shapes and styles. Although some stuck to their natural thick brows, others completely shaved their eyebrows off and drew their own in with an eyebrow pencil. The more daring immature women used colored pencils in their eyebrows and added gems, feathers, or glitter.9
A lot of women added brow powder that was often too dark for their natural brows.6
Related: For more than historically authentic looks, check out our Greek Goddess makeup and style breakdown!
Low Key Lips
Stake colored frosty (not too sleeky) lipsticks were all the rage in the 1960s.4 half dozen 7
The immature mods really loved white lipstick. Translucent pink lip glosses were a best seller at the fourth dimension.4
Titanium was added to lipsticks to make them look iridescent. The metallic expect paired well with the space-age runway looks (argent trousers, chain mail looks) created by French designers Paco Rabanne and Pierre Cardin. Revlon created a 'Moon Drops' lipstick to get that metal high way expect on a budget.4
1960s Face Makeup
Blush was not the focal point of the modernistic look, and many women opted to go completely chroma-free and keep the foundation canvass pretty blank. Notwithstanding, Mary Quant did add a blush to her iconic sixties makeup collection, past the proper name of 'Blush Baby blusher'.eight
However, a lot of mods did create hollower cheeks with shadow powders to appear thinner.3 6
Near of the time, women wore a pale foundation color all over their face up and lips. Foundation was matte in stop and sometimes slightly tanner to compensate for a lack of blush.10
The Higher The Hair
Straight hair was in style, whether it was long or in a bob style like the 1920s. Hair looks were pretty elementary during this era. Hippies would keep information technology long without doing much else to it.10
Withal, Mary Quant helped inspire the shorter hair look afterwards, after she met barber Vidal Sassoon who created her famous five point bob look on her hair.8
About women would scrape their pilus dorsum and gyre it into a bun style. Bouffant styles were also in way – pilus was swept upwards and placed on the top of your caput, sometimes in curls or with accessories like barrettes or ribbons.ten
Women teased the hair to brand it look taller and and then added a hairpiece for decoration.6
From the late 1950s to the early 1960s the beehive hairdo was in style. It was called the B-52, named after the bulbous nose from 1 particular B-52 bomber. To get the look, a hooded hair dryer was used after applying round rollers to the hair.4
Backcombing helped achieve the voluminous effect and it was ready in place with hairspray. From the mid-sixties onwards, wigs were the new 'it' hairstyle. Women used them to completely transform their appearance.4
1 article in a 1966 edition of the Daily Express advertised the 'Smoochy', a grey-silverish wig that covered up half of a woman'due south face, which was described as beingness designed especially for those who were 'not so pretty'.iv
Exciting New Makeup Products Targeted To The Young In The 1960s
Due to upturns in the economy, Great britain reached full teenage employment and now young ladies had some money to spend on cosmetics. The marketplace responded with cosmetics targeted towards the younger generation.2
In the mid-sixties, colored eyeshadow was dominant. Gala created a palette called the 'Pick And Paint Center Palette', which was shaped like a painter'due south palette and included 1 eyeliner, ii brushes, and four shadows. Like to the fun packaging we see used in Korean beauty today, the packaging was designed for young women to have fun and bask using their makeup products.ii
Mary Quant, known for popularising the mini skirt, unveiled her makeup range in 1966. The makeup line, which took eighteen months to develop, was revolutionary. Quant herself wrote that "people were stunned past the look of the whole brand."2
A lot was revolutionary: the colors of the makeup and the tongue-in-cheek product names (quite like to Benefit cosmetics today) to name but a couple. The black and white plastic packaging with peachy flowers on the front was a consummate deviation from the luxe luxury and grown-up packaging of the previous decades.two
Plus, the branding, for example using billboards of women'south faces, was like nothing seen before. The line took off and Mary Quant Cosmetics was before long sold worldwide.2
Quant wanted her line to replace "those artificial French names, sold by eye-aged harridans. Mary Quant cosmetics were going to be sold by girls in miniskirts, looking similar top models, or past dashing immature men in jeans."2
Some of the cheeky names of her products included 'Jeepers Peepers eye shadow', 'Starkers foundation', and 'Bring Back The Lash mascara'.2
Quant's line was most known for the crayons, (yes – an actual tin of colored crayons). A drastic deviation from the typical castor and small-scale pot, the can instructed women to describe a flower anywhere on their confront or body with the crayons (this was conspicuously targeted towards flower power hippies).ii
Mary Quant claimed that her ain lipstick was "the symbol of the new, young career adult female and they flashed information technology across restaurants with each other. It was like being a member of a club."2
1960s Makeup & Mode Icons: Twiggy
Fashion icon and model Twiggy was known for her sparse frame, large optics, dark crease makeup with large spidery lashes and drawn on 'Twiggies' – eyelashes drawn on the lower eyelid.
Twiggy was the face up of a range of center makeup products created by the brand Yardley. The line featured a black and white shadow compact and false lashes, dubbed the 'Twiggy lashes', which were released in 1967.two
Twiggy lashes were fabricated from natural European hair.4
Her near iconic photographs, taken by Barry Lategan, were dubbed 'the face of 1966' past a mode journalist from the Daily Express.ii
Lategan described Twiggy in the photoshoot "Twiggy arrived with her cropped hair and lower eyelashes painted onto her face, she sabbatum in front of my photographic camera and was dazzling."2
As was normal at the time, Twiggy did her ain makeup for the photoshoot. She sported a mod look with an intense eye, featuring white shadow on the hat and graphic eyeliner direct above the eye socket (in identify of profile) and eye liner also along the lash line. The lips were kept completely nude, with the typical modern 'foundation equally lipstick' look.ii
The iconic chemical element to Twiggy'due south look was the drawn-on lashes on the lower hat. Lisa Eldridge notes in 'Face Paint: The Story of Makeup' that Biba founder Barbara Hulanicki told her that this look was completely unique to Twiggy at the fourth dimension.2
Swinging Sixties Fashion
Mods
A difference from the popularity of the curves in the 1950s, the 1960s were epitomized by trying to attain the slim look as women were inspired past Twiggy's young boyish effigy.4 The want to look slimmer and more boyish in shape is evident from the straight-up-and-down cut of garments and the contoured gaunt cheeks look.
"Twiggy, The Cockney Child with a face to launch a thousand shapes… And she's just 16." (Daily Express, 1966)4
Like makeup, clothing was heavily marketed to the youth demographic in the 1960s. 50% of all vesture sold in United kingdom by 1965 was purchased by the 15 – 19 year old demographic. U.s.a. teenagers in 1965 spent more than three.v billion dollars on clothes.4
Mods wore fun young clothing like mini skirts, bong-bottom jeans, boots, pantsuits, and they liked dramatic psychedelic prints.vi
The chiffon tent dress was often paired with a visible slip underneath. 11
PVC was a usually used vesture material in anything from hats to minidresses. Women also wore a lot of plastic in their accessories – big mesomorphic vivid colored jewelry was paired with every young Information technology daughter's outfits.xi
White boots that reached mid-calf (chosen get-become boots) were hugely popular to pair with mini skirts and mini dresses in the mid-sixties.11
Mary Quant | Defining Fashion In The Sixties
Fashion designer and icon Mary Quant was all about creating an affordable range of makeup and clothing for the immature woman.8
"'New' is often described as 'vulgar' by people who are frightened of modify. I had demonstrated that from at present on fashion was going to be mass-produced, that the future did non prevarication in the laboriously paw-sewn designs that were the hallmark of couture." – Mary Quanteight
Mary Quant popularized the mini skirt (though it's disputed whether or non she actually invented it) and was even honored with an OBE by the Queen of England for her innovations in style. She was the kickoff British manner icon to earn such an honor.8
Did yous know?: Miniskirts were blamed for a lack of morality in the youth of the 1960s, and even equally the cause of traffic accidents every bit drivers didn't keep their eyes on the road!4
Quant invented the tights look after encouraging JC Penny to make them to go with mini skirts and dresses.eight
In an interview for the Guardian (1967), Mary Quant described 'the crutch' as the almost important fashion slice of the time. Because skirts were now and then mini, stockings and suspenders needed to be replaced by total cover tights. Otherwise, the suspenders could show in unflattering angles.4
She also encouraged the creation of a more natural upshot bra, which made it appear every bit if women were going braless.8
Mary Quant likewise created the concept of matching nail shine to wear rather than lipstick shade.11
Quant'south peter pan collar was very popular to jazz upward a normal sweater.8
Her range was inspired by the wearing apparel her immature friends enjoyed wearing (tunic dresses, hipster pants, and knickerbockers (trousers that came to the knee joint).8
"I wanted to make apparel that y'all could movement in, skirts yous could run and trip the light fantastic toe in" – Mary Quant8
Hippies
Although the hippy look was quite rebellious, hippy women did wear their hair very long, and unremarkably tied back in a ponytail and with a bandana. Hippies often wore hand fabricated jewelry and loved Native American pieces (or just annihilation from outside mainstream US civilisation)!5
They besides accessorized with simulated tattoos, honey tokens, homemade earrings, snake bracelets, and charm bracelets (often with zodiac sign charms). Many hippies loved 'scarabs' (amulets) with origins in ancient Egypt.5
In terms of clothing, hippies ofttimes opted for low cut tops, and sometimes showed off their stomach – peculiarly if they busy their omphalus surface area. Hippy women sometimes wore work shirts designed for men and often added their ain patches and designs to plainly shirts to express some individuality.v
They also wore dramatic belts and many of the women wore men's jeans, especially because it was difficult to observe jeans for women in the belatedly 1960s.5
Hippies also wore pedal pushers, mini skirts in psychedelic patterns, tie-dyed shirts, colorful leggings and often went barefoot. Somewhat surprisingly, a lot of hippies styled secondhand Edwardian and Victoria pieces.5
Sources
. 1. Theatrical Makeup: Basic Awarding Techniques past Sobel (2016)
. 2. Confront Paint: The Story of Makeup by Lisa Eldridge (2015)
. 3. Milady Standard Makeup by D'Allaird (2012)
. iv. Compacts and Cosmetics: Beauty from Victorian Times to the Present Day by Marsh (2009)
. 5. American Hippies by Rorabaugh (2015)
. 6. The Fine art and Science of Professional Makeup by Place and Madry (1989)
. 7. The Makeup Artist Handbook: Techniques for Motion-picture show, Television, Photography and Theatre by Davis and Hall (2012)
. eight. Stories of Women in the 1960s: Fighting for Liberty past Senker (2015)
. 9. Encyclopedia of Pilus: A Cultural History by Sherrow (2006)
. x. The Fine art of Makeup By Marie Agius (2009)
. eleven. The Mini Mod Sixties Book by Bleikorn (2002)
Source: https://makeupscholar.com/1960s-makeup/
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